{"id":2146,"date":"2023-03-24T08:38:22","date_gmt":"2023-03-24T08:38:22","guid":{"rendered":"https:\/\/sanswhiskyculture.com\/?p=2146"},"modified":"2023-03-24T08:45:20","modified_gmt":"2023-03-24T08:45:20","slug":"paganini-grandeur","status":"publish","type":"post","link":"https:\/\/sanswhiskyculture.com\/?p=2146","title":{"rendered":"Paganini & Grandeur"},"content":{"rendered":"
\n
\"\"
Niccol\u00f2 Paganini<\/figcaption><\/figure><\/div>\n\n\n

Paganini & Grandeur<\/p>\n\n\n\n

Gelmi\u015f ge\u00e7mi\u015f en iyi kemanc\u0131\u2026<\/p>\n\n\n\n

Narsist ve bask\u0131c\u0131 bir babas\u0131 olan Paganini, d\u00f6nemin iyi ustalar\u0131ndan dersler almaya ba\u015flad\u0131\u011f\u0131nda birka\u00e7 ders sonra ustalar\u0131, onda bir yetenek oldu\u011funu anlar ve daha b\u00fcy\u00fck ustalar\u0131n yan\u0131na g\u00f6t\u00fcr\u00fcr Paganini\u2019yi\u2026<\/p>\n\n\n\n

K\u0131sa zamanda b\u00fcy\u00fck bir kemanc\u0131 olaca\u011f\u0131n\u0131n habercisidir bu asl\u0131nda ger\u00e7i T\u00fcm \u0130talya\u2019y\u0131 avucunun i\u00e7ine almas\u0131 Milan konseriyle 1813 y\u0131l\u0131nda, t\u00fcm Avrupa\u2019y\u0131 kas\u0131p kavurmas\u0131 da 1828 y\u0131l\u0131nda Viyana\u2019da olmu\u015ftur.<\/p>\n\n\n\n

O d\u00f6nemlerde bir\u00e7ok piyanist vard\u0131r ama kemanc\u0131larda bir numaral\u0131 y\u0131ld\u0131zd\u0131r kendileri. T\u00fcm kemanc\u0131lar\u0131n nutkunun tutulmas\u0131na sebep olmu\u015ftur.<\/p>\n\n\n\n

Tam bir 19. Yy. ikinci yar\u0131s\u0131 insan\u0131 Niccolo Paganini\u2026<\/p>\n\n\n\n

Di\u011fer ad\u0131yla \u2018\u2019\u015eeytan\u0131n Kemanc\u0131s\u0131 \u2018\u2026<\/p>\n\n\n\n

Sebebine gelince o g\u00fcne kadar denenmemi\u015f, yap\u0131lmam\u0131\u015f pek \u00e7ok tekni\u011fi kemanda uyguluyor olmas\u0131d\u0131r. Ayr\u0131ca bunu hem yorumculu\u011funda hem de bestecili\u011fine de yans\u0131tmas\u0131d\u0131r. O d\u00f6nem ko\u015fullar\u0131 d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fcnde bunu ancak \u015feytan ile anla\u015farak yap\u0131labilece\u011fi s\u00f6ylenmi\u015ftir. Bu kadar inan\u0131lmaz keman \u00e7alabilecek ki\u015fi kesinlikle ruhunu \u015feytana satm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Ayr\u0131ca d\u00f6nemin kemanc\u0131lar\u0131 vasiyetnamelerimizi haz\u0131rlayal\u0131m diyerek aralar\u0131nda Paganini\u2019 den iyi keman \u00e7alan birisini tan\u0131mad\u0131klar\u0131n\u0131 ifade etmi\u015flerdir.<\/p>\n\n\n\n

<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

 Gerek siyah giyimi gerek \u00f6l\u00fc tonundaki bembeyaz teni ile kemanda inan\u0131lmaz tekni\u011fiyle izleyicilerin kar\u015f\u0131s\u0131nda ge\u00e7ti\u011finde onlar\u0131 mest ediyordu Paganini, yak\u0131\u015f\u0131kl\u0131 bir erkek olmasa da\u2026<\/p>\n\n\n\n

\u00d6te yandan Paganini \u2018nin bu inan\u0131lmaz tekni\u011finin olu\u015fmas\u0131nda \u2018\u2019Morfen Sendromu\u2019\u2019 denilen bir eklem hastal\u0131\u011f\u0131n\u0131n da rol\u00fc b\u00fcy\u00fckt\u00fcr diyenler de mevcuttur.El ve ayak parmaklar\u0131n\u0131n \u00e7ok uzun olmas\u0131 da bu senaryoya ba\u011fl\u0131 kalanlar\u0131n en b\u00fcy\u00fck tezidir.<\/p>\n\n\n\n

Paganini \u2018 nin bir de esin kayna\u011f\u0131 oldu\u011funu bilinmekte o da Pietro Locatelli \u2019 dir. Locatelli \u2019 nin uygulad\u0131\u011f\u0131 Pitsikato tekni\u011fine hayran olan Paganini; bu geli\u015ftirerek Sol el \u00e7ift pitsikatosunu ke\u015ffetmi\u015ftir. Pitsikato; keman telinin t\u0131rnaklar ile \u00e7ekilmesiyle yap\u0131lan tekni\u011fine denilmektedir.<\/p>\n\n\n\n

Bu tekni\u011fi geli\u015ftirirken gitardan da ilham ald\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. \u00c7\u00fcnk\u00fc her ne kadar bir keman virt\u00fc\u00f6z\u00fc olsa da Paganini ayn\u0131 zamanda da gitar da \u00e7almaktad\u0131r. Hatta gitara olan sevgisini  :\u2019\u2019Keman benim metresim gitar benim ustam \u2018\u2019 olarak ifade etmi\u015ftir.<\/p>\n\n\n\n

Ancak insanlar\u0131n aras\u0131nda gitar \u00e7almak yerine bunu kapal\u0131 kap\u0131lar ard\u0131nda yapt\u0131\u011f\u0131 s\u00f6ylenir.<\/p>\n\n\n\n

Keman ile yapt\u0131klar\u0131 inan\u0131lmazl\u0131klar aras\u0131nda iki tel ile bir orkestray\u0131 y\u00f6netmek ,tek tel ile bir sonat\u0131 \u00e7almak, 8 ya\u015f\u0131nda bir sonat yazmak, korna, ku\u015f sesleri, \u015fark\u0131 s\u00f6yleme, insan kahkahas\u0131 seslerini kemanda taklit etmek de vard\u0131.<\/p>\n\n\n\n

 Asl\u0131nda Paganini, sadece do\u011fu\u015ftan yetenekli de\u011fildir, o  \u00e7ok \u00e7al\u0131\u015ft\u0131 ve yorulmak bilmeden keman\u0131nda, kimsenin daha \u00f6nce hi\u00e7 yapmad\u0131\u011f\u0131 ve ya yapmay\u0131 d\u00fc\u015f\u00fcnmedi\u011fi armoniler, melodiler ve pasajlar, efektler ke\u015ffetmi\u015ftir. Tekni\u011finin yan\u0131nda eserlerinde inan\u0131lmaz dramatik sahneler de yaratm\u0131\u015ft\u0131r .<\/p>\n\n\n\n

Avrupa\u2019da Paganini\u2019den etkilenmeyen bir m\u00fczisyen yoktur. Schuman, List ve Chopin de etkilenenler aras\u0131nda bulunmaktad\u0131r.<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

<\/p>\n\n\n\n

Ben Paganini\u2019yi Glen Dronach Dam\u0131t\u0131m evinin y\u0131ld\u0131z\u0131 Grandeur 24  y\u0131ll\u0131k Batch 9  adl\u0131 ekspresyona benzetiyorum. Ne zaman Paganini \u2019nin 24 Caprices dinlesem akl\u0131ma Glen Dronach Grandeur 24 y\u0131ll\u0131k Batch 9 gelir.<\/p>\n\n\n\n

Glen Dronach Tek Malt viskilerinin \u00fcretildi\u011fi dam\u0131t\u0131mevinin de yer ald\u0131\u011f\u0131 b\u00f6lge olan Highlands, \u0130sko\u00e7ya\u2019n\u0131n en geni\u015f viski b\u00f6lgesi olmas\u0131n\u0131n yan\u0131 s\u0131ra  g\u00f6vdeli viskileriyle de \u00fcnl\u00fc b\u00f6lgesidir.<\/p>\n\n\n\n

1990-1992-1993 y\u0131llar\u0131 dolumu \u00f6zel \u015feri f\u0131\u00e7\u0131lardan se\u00e7ilerek olu\u015fturulan Grandeur ; hem b\u00f6lgenin karakteristik \u00f6zelli\u011fiyle hem de dam\u0131t\u0131m evinin imza niteli\u011findeki Andalucia -\u0130spanya\u2019dan gelen \u00f6zel Oloroso ve Pedro Ximenez  \u015feri \u015farap f\u0131\u00e7\u0131lar\u0131n\u0131n kazand\u0131rd\u0131\u011f\u0131  kompleks karakterli, zengin \u015feri notalar\u0131 hakim, dengeli ve nev-i \u015fahs\u0131na m\u00fcnhas\u0131r bir ekspresyondur.<\/p>\n\n\n\n

Glen Dronach viski ekspresyonlar\u0131n\u0131n olgunla\u015ft\u0131\u011f\u0131 ve \u00f6zenle se\u00e7ilen \u015feri \u015farap f\u0131\u00e7\u0131lar\u0131 ve \u015feri \u015farap f\u0131\u00e7\u0131 olgunla\u015ft\u0131rmalar\u0131n\u0131 bir sanata ve bu sanat\u0131n zirvesine d\u00f6n\u00fc\u015ft\u00fcrm\u00fc\u015ft\u00fcr.<\/p>\n\n\n\n

Grandeur Do\u011fal renk ve so\u011fuk filtrasyon i\u015flemi uygulanmam\u0131\u015f ,siyaha \u00e7alan muhte\u015fem rengi, cilal\u0131 ah\u015fap kutusu ve \u015f\u0131k \u015fi\u015fesinin \u015f\u0131k m\u00fch\u00fcrlemesiyle tam anlam\u0131yla elegant viskinin v\u00fccut bulmu\u015f halidir. Sadece 1487 adet \u015fi\u015felenen bu limitli ekspresyon \u015fi\u015fe bilgileri el ile yaz\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

T\u0131pk\u0131; sol el \u00e7ift pitsikatosuyla ve keman virt\u00fc\u00f6zl\u00fc\u011f\u00fcn\u00fcn y\u0131ld\u0131z\u0131 olan Paganini\u2019 nin 24 Caprices eserinde oldu\u011fu gibi.<\/p>\n\n\n\n

Do\u011fal renkli koyu kehribar renkli bu \u015feri bombas\u0131 kadehe dolunca, kadeh \u00fczerindeki bacak diye tabir edilen partik\u00fcller yo\u011fun ve a\u011f\u0131r a\u011f\u0131r ak\u0131yor bu da g\u00f6vdeli ve ya\u011fl\u0131 bir viski oldu\u011funu g\u00f6steriyor.<\/p>\n\n\n\n

Kadehimdeki Grandeur ekspresyonunu koklad\u0131\u011f\u0131m zaman ; Burundaki portakal, vi\u015fne, kuru \u00fcz\u00fcm, bademin naif dokunu\u015flar\u0131  Paganini \u2018nin  24 Caprices, Op. 1: No. 24 in A Minor adl\u0131 eseri akl\u0131ma geldi.24 y\u0131ll\u0131k bir ekspresyondan m\u0131d\u0131r bilinmez ama ; eserin giri\u015f k\u0131sm\u0131ndaki pasajlar bana Grandeur un g\u00f6vdeli, yo\u011fun meyveli, baharatl\u0131 ekspresyonunu hat\u0131rlatt\u0131.<\/a><\/p>\n\n\n\n

 <\/a><\/p>\n\n\n\n

Damakta; g\u00f6vdeli, kuru \u00fcz\u00fcm\u00fcn yan\u0131 s\u0131ra sultaniye \u00fcz\u00fcm\u00fc, kahve, bitter \u00e7ikolata, karamel, portakal notalar\u0131\u00a0 bana \u015fark\u0131n\u0131n orta d\u00fczl\u00fc\u011f\u00fcndeki sol el pitsikatosundaki uzmanl\u0131k, yarat\u0131c\u0131l\u0131\u011f\u0131n yan\u0131nda ayn\u0131 zamanda verdi\u011fi ruhani duyguyu hissettiriyor.<\/a><\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

<\/p>\n\n\n\n

Paganini\u2019yi di\u011fer m\u00fczisyenlerden ay\u0131ran bir di\u011fer \u00f6zellik ise; keman\u0131 sadece bir virt\u00fc\u00f6z seviyesinde \u00e7alman\u0131n yan\u0131 s\u0131ra kemana ruh vermesidir. Tekni\u011fin s\u0131n\u0131rlar\u0131n\u0131 zorlarken seyirciyi ruhani y\u00f6nden doyurmas\u0131d\u0131r.<\/p>\n\n\n\n

Biti\u015f; Sevdi\u011finiz \u015fark\u0131n\u0131n bitmesini istemeyece\u011finiz en can al\u0131c\u0131 k\u0131sm\u0131 gibi; kuru \u00fcz\u00fcm, bitter \u00e7ikolata, \u015feri notalar\u0131 uzun, kadife gibi\u2026<\/p>\n\n\n\n

T\u0131pk\u0131 eserin son d\u00fczl\u00fc\u011f\u00fcndeki muazzam doyurucu armonilerin dans\u0131, trafik \u0131\u015f\u0131\u011f\u0131 olmayan bir kav\u015fakta ara\u00e7lar\u0131n kazas\u0131z bir \u015fekilde istedi\u011fi yere gidebilmesi, ruhani bir huzur, tekni\u011fin nirvanas\u0131 diyebilirim Grandeur ekspresyonunun biti\u015fi s\u00fcrerken Paganini eserine son verirken\u2026<\/p>\n\n\n\n

<\/p>\n\n\n\n

Niccol\u00f2 Paganini Ara\u015ft\u0131rmalar\u0131, Klasik M\u00fczik Yazar\u0131 Serhan BAL\u0130 <\/mark>‘ye aittir.Kendisine bir kez daha te\u015fekk\u00fcr etmek istiyorum.<\/strong><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Paganini & Grandeur Gelmi\u015f ge\u00e7mi\u015f en iyi kemanc\u0131\u2026 Narsist ve bask\u0131c\u0131 bir babas\u0131 olan Paganini, d\u00f6nemin iyi ustalar\u0131ndan dersler almaya ba\u015flad\u0131\u011f\u0131nda birka\u00e7 ders sonra ustalar\u0131, onda bir yetenek oldu\u011funu anlar […]<\/p>\n","protected":false},"author":1,"featured_media":2152,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[14,21,22,76,8],"tags":[26],"class_list":["post-2146","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dunya","category-fici","category-iskoc","category-muzik","category-viski","tag-muzik"],"_links":{"self":[{"href":"https:\/\/sanswhiskyculture.com\/index.php?rest_route=\/wp\/v2\/posts\/2146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sanswhiskyculture.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sanswhiskyculture.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sanswhiskyculture.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sanswhiskyculture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2146"}],"version-history":[{"count":2,"href":"https:\/\/sanswhiskyculture.com\/index.php?rest_route=\/wp\/v2\/posts\/2146\/revisions"}],"predecessor-version":[{"id":2155,"href":"https:\/\/sanswhiskyculture.com\/index.php?rest_route=\/wp\/v2\/posts\/2146\/revisions\/2155"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sanswhiskyculture.com\/index.php?rest_route=\/wp\/v2\/media\/2152"}],"wp:attachment":[{"href":"https:\/\/sanswhiskyculture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sanswhiskyculture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sanswhiskyculture.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}